Montage 2

The air gathers the passing
From where I left the bus behind, it’s red body flashed
By torn adverts tearing into the city
Chapped and aged

The cafe opens – a cup
filled like a proud schoolboy
Carries freshness, the round tip
Meeting and vanishing all together
…a photographer walks by

His love hanging around his neck,
The pictures uncaged freely circle him, continue

To mesmerise the old chap with a splattered sole
Scratching the floor, rowing along
Carrying the falling leaves with him
Into an apartment with a locked cupboard,
Two teacups, a bus ticket
And a box of negatives
Undeveloped
Kept for later, the very end

Dawn

5.15 am. I love touching the scar
on your right cheek. The whistle
Of a faraway train. Distant city. Your fingers
crawl into mine

What is with you today?
Your whispers dense, alluring
releasing primal images, clutching
Onto my lips and flowering. 5.17, the ceiling fan
creaks in unison with a passing cycle.

Half closed eyes. Your hair smells
of love and longing. The pillow absorbs
half-dreams and stores fantasies. I spend
the last few blinks in blue air
opening to your touch
every breath is a scene, dissolving
into a growing stream

Morning

Morning. A footstep plants In the balcony.
A city opens again

Eschewing the temple, an urchin
Runs into the butcher’s lane
To find hanging bodies
He carries their image forward

A coconut cracks. The thick demise
Of slow incense, fills a store
Water sprinkled for unseen deities

Inside the curtain inhales, the lungs
Of the room charred by smoke
And last night’s debates, scatters
In leftover scraps and bottles

Your second alarm rings; murky and withered
You rise to go to battle

Premise

I understood the premise, but before the curtain fell,
the ending passed through and left me empty, hanging
in the dream I left behind at twenty – you scurried across your stage
the white starlings hopped about wondering
who the man in grey kaftan is, you

how I ran into the salt pans, the mirages
deftly slapping me one after the other, the vultures
eating away at my debts – you never surface, in an exposed corner
you typed away into the sky, both friend and father

today in the audience, darkened by the mask of not knowing
what is before and after me, I felt you finally
as man and soul – you gripped your portrait and caged each word
in your voice, I understood how you’re here but then you’re not
living in stories you wrote before your final drought

Hanging Around

Terrific glazed pork ribs
Superb shot of gin
Night without a mask
Badwords painting walls
Unclean microwave
Enters the girl who deserted you
Her eyes
Your eyes
Pathetic excuses
Shot of gin

Brewing my tea much later once the horde left
Still one browses around looking for a chance
Left you alone a few years ago, I said, again
Leave me again if you wish, she said, half undressed 

Routes

locked away into a novel, scampering around your own world
the world within the city that fell while you were unborn
tragic that you came to life as an aftermath

while boys played cricket over gravestones levelled into the earth
the rains seeped into notebooks and slushed around the words
on drying the language changed, the smell of damp nothings

a day in November you too will be much older, sorry
for forgetting your mother-tongue like the others from your groups
where-they-all-now you’ll wonder, alone in a cube cooled inside a skyscraper

synthetic coffee, planned romance, reminders will get you across.

Cafe, circa 2011

sorry
said the poet, lingering around
looking at a stained tea-cup where
his lips once touched, in steam,
his nose
immersed

…unpaid, half-done, finished
allow me to leave, said the poet
fishing around the outskirts with his glance

arrives the crook, crutches cancelled
as he retires into a chair – his shadows
waving a cigarette

the counter opens to commotion

the poet’s account heavier; he’ll be back
says the crook
what you offer is tea, which everyone does
but what you provide is drama, which no one else does

refill please