Montage 2

The air gathers the passing
From where I left the bus behind, it’s red body flashed
By torn adverts tearing into the city
Chapped and aged

The cafe opens – a cup
filled like a proud schoolboy
Carries freshness, the round tip
Meeting and vanishing all together
…a photographer walks by

His love hanging around his neck,
The pictures uncaged freely circle him, continue

To mesmerise the old chap with a splattered sole
Scratching the floor, rowing along
Carrying the falling leaves with him
Into an apartment with a locked cupboard,
Two teacups, a bus ticket
And a box of negatives
Undeveloped
Kept for later, the very end

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Serenade

Was last night’s serenade a dream?
The incandescence of aged tungsten warming the bridge
whose ends welcomed dead poets singing
songs from forgotten years, their lyrics translating
into one another like a stew mixing
While your scarf waved gloriously, the seagulls
arising from an aligned sleep dashed in vivid numbers
and fishermen who threw their caps into an indigo sky
lost them in a maze of flaps
Across the bridge a town hummed with the pages
you left half-read as a child, now
they were soiled posters talking of a future
You showed me around the lanes and carts
like a child running across her ancestral home, the
flags in the square, the market of unused footwear,
the roads fluid with passing spirits carrying little joys
You flew me across the circle into the town of lakes
where every boat carried your favourite food into floating homes
asking me silly questions, you trapped my reflection in a picture
calling it a painting – you said – this will mean much more later
You rowed into and across brittle homes soaked in black water
calling out to former friends, all asleep, never to wake up to see you smile
Just then a sea appeared, the very end of the creek
you shed a tear, watching an orange moon descend
and make love to a tired ocean, ‘this is where I come
to talk to myself’, you confessed
as I watched the sea age,
you wrinkled and became quieter

Dawn

5.15 am. I love touching the scar
on your right cheek. The whistle
Of a faraway train. Distant city. Your fingers
crawl into mine

What is with you today?
Your whispers dense, alluring
releasing primal images, clutching
Onto my lips and flowering. 5.17, the ceiling fan
creaks in unison with a passing cycle.

Half closed eyes. Your hair smells
of love and longing. The pillow absorbs
half-dreams and stores fantasies. I spend
the last few blinks in blue air
opening to your touch
every breath is a scene, dissolving
into a growing stream

Morning

Morning. A footstep plants In the balcony.
A city opens again

Eschewing the temple, an urchin
Runs into the butcher’s lane
To find hanging bodies
He carries their image forward

A coconut cracks. The thick demise
Of slow incense, fills a store
Water sprinkled for unseen deities

Inside the curtain inhales, the lungs
Of the room charred by smoke
And last night’s debates, scatters
In leftover scraps and bottles

Your second alarm rings; murky and withered
You rise to go to battle

Rejected Ones

While learning the art of dramatising
I also learnt to skim through libraries of mundane non-reactions
Each book offered a painstaking read through various nothings
Nothing really came of it apart from the despair of unsaid things
One wonders where all the rejected expressions usually go to
Do they catch a train and end up in a suburb like the rest of us
Availing cashback and coupons from small malls recently opened
And happy hours at lonely pubs playing bad remixes
Do they fall asleep on the way back home
Wondering where to find the money to pay next month’s rent
Before cancelling out expired task lists
And re-writing old ones in an effort to remember the unnecessary