Dream, Sikkim.

Your dream. A vision
of noiseless rivers foaming
in the distance, while
a monastery touched by calls
of ravens, lights a lantern
the moon sets

over the mountain’s shoulder. Simmering
tea pots, on them the sage’s fable
inked like a lucid memory

recited by shut eyes. The floor
cold from the season, pressed
by the music of toes. The sun rises,
its first arrows
piercing the village with joy.

School, circa 1999

From a corner I watched you rehearse patiently
Logging notes in the breeze using black and white keys
Surveying turning pages with a moving gaze

In a strange distance an old choir climbed stairs
Settling to their positions and awaiting the conductor
Who searched for fallen tobacco outside the hall

A breeze pulled it away from him
Boys played football and noticed nothing
Logging flying notes in the air using their feet

Witness

I the music that engulfed me first in the dim bar, is
the substance I use to break myself into a thousand parts
while I age carefully from younger to young
and then maybe, not so young
the rustle of brushes skimming cymbals, married
to the sound of a wailing saxophone
I witnessed it all
through the reducing horizon of the beer glass
my head sleeping over the damp table, my pants
whose pockets filled with unaccounted coins
and the notes I would later use to pay
for your cigarettes and chicken puffs
even share them while we switched between channels
on an outdated television surrounded by books
surrounded by shelves and more shelves
hanging on the walls paintings you made as a child
your clothes hanging outside the window whose pane
you sprinkled with a long joint, spiked
with teenage theatrics and young lust
and aromas of the kitchen scattered with leftovers
the music that engulfed me at first, is the last
the very last
time I ever heard someone tell me I’m lovely
I was told I’m a kid with the brain of a man
but the smile of a child
while you were a girl with the eyes of a woman
I witnessed it all
through the years of being a boy
reduced to an adult

Govind Ghat, 2016

The cold mountain sleeps calmly.
On awakening, the morning’s white blanket
reveals trees little by little.
Monochrome silhouettes of conifers, yawning
through the moist fog of autumn, finches,
flycatchers and resonant barbets
compose the valley in unison.

Women mount the sack of hay, their back
crooked and burdened by the slope, smiling
they wave at us from the waterfall. Horde
of mules and one excited dog engulf and leave us.
The sky opens into blue.

I touch the barks of a hundred trees, stepping
over each stone like a syllable in a long story.
The moss cushions my progress as magpies glide
from path to path
Sounds of a temple find me faintly
The mountain meditates like a master.

22.1.17

Kahwa

“better to let things go than run behind them”, said
the grandfather of six at the edge of his seat
watching the valley get immersed under the mist of October
the yellow skin of autumn reddened under his bare feet
the soft pull of the hookhah in his lips, followed
by a flurry of fresh smoke

later in the evening when we gathered calmly
the sheep put to sleep nearby, fenced from the wolves
watery gosht potent with red chillies and saffron, naan
just baked by his cousin dipped bit by bit
suddenly all the plates were clean, as we
sat outside watching the milky way glide over the snow

the earth froze as we reached midnight
voyaging winds from neighbouring valleys came and went
gazing into the sky he began muttering songs in another language
and in only a few uncountable sips of light kahwa
I saw his entire life unravel before me
note after note

10.1.17